Positions #3 presents new and existing work by Rossella Biscotti, Duncan Campbell, Maryam Jafri and Natasja Kensmil. Each of the artists draws on extensive research, translating empirical data through different modes of story telling, image making and historicization. They often deploy a rich selection of archival material and historical analyses evoking different economic, political, and social associations in the process. The resulting manifestations sit at the intersection of cultural anthropology and conceptual practice whilst drawing on a range of visual languages.

Rossella Biscotti (born Molfetta, Italy, 1978) focuses on forgotten social and political events in her work. Following meticulous preliminary research she re-circulates these stories in her reconstructions. Biscotti won the Premio Michelangelo in 2010. The prize, the choice of a marble block from the Carrara quarry in Italy, is used as the starting point for a new work: The Journey (2016). Biscotti dropped the marble block into the Mediterranean Sea. Inspired by scientific research and oceanography, she will identify the blocks new location through analyzing the environmental complexity of the Sicilian canal. She will overlap maps that trace historical commercial routes, migrant routes, artefacts and military deposit, analyzing the morphology of the seabed in the international water between Italy, Libya and Tunisia. The second new work in Positions #3 is called Clara (2016), an installation around the rhinoceros, who became famous during 17 years of touring Europe in the mid-18th century and was transported to Europe by the VOC.

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