Skip to content
After Rain, Diriyah Contemporary Art Biennale 2024, Nazgol Ansarinia Four works from the series Membrane (parts) (2014), Paper, paste, and glue, Four works from the series Pillars (2014–18), Cast resin, paint, Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

After Rain, Diriyah Contemporary Art Biennale 2024, Nazgol Ansarinia Four works from the series Membrane (parts) (2014), Paper, paste, and glue, Four works from the series Pillars (2014–18), Cast resin, paint, Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Nazgol Ansarinia, Membrane (Parts), 2014, Paper, paste & glue

Nazgol Ansarinia, Membrane (Parts), 2014

Paper, paste & glue

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Nazgol Ansarinia, Membrane (Parts), 2014, Paper, paste & glue

Nazgol Ansarinia, Membrane (Parts), 2014

Paper, paste & glue

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Nazgol Ansarinia, Article 49, Pillars, 2014, Cast resin and paint

Nazgol Ansarinia, Article 49, Pillars, 2014

Cast resin and paint

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Nazgol Ansarinia, Article 45, Pillars, 2018, Epoxy resin, paint

Nazgol Ansarinia, Article 45, Pillars, 2018

Epoxy resin, paint

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Nazgol Ansarinia, Article 51, Pillars, 2014, Cast resin and marble powder

Nazgol Ansarinia, Article 51, Pillars, 2014

Cast resin and marble powder

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Nazgol Ansarinia, Article 47, Pillars, 2015, Epoxy resin, paint

Nazgol Ansarinia, Article 47, Pillars, 2015

Epoxy resin, paint

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

After Rain, Diriyah Contemporary Art Biennale 2024, Seher Shah, Notes from a City Unknown (2021), Portfolio of 32 screen prints on paper, Translation and production of Arabic booklet, Of Dust and Measure (5–9) (2019–21), Graphite, ink, and graphite dust on cotton paper, Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

After Rain, Diriyah Contemporary Art Biennale 2024, Seher Shah, Notes from a City Unknown (2021), Portfolio of 32 screen prints on paper, Translation and production of Arabic booklet, Of Dust and Measure (5–9) (2019–21), Graphite, ink, and graphite dust on cotton paper, Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Seher Shah, Of Dust and Measure (5–9), 2019–21, Graphite, ink, and graphite dust on cotton paper

Seher Shah, Of Dust and Measure (5–9), 2019–21

Graphite, ink, and graphite dust on cotton paper

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Seher Shah, Notes from a City Unknown, 2021, Portfolio of 32 screen prints on paper, Translation and production of Arabic booklet

Seher Shah, Notes from a City Unknown, 2021

Portfolio of 32 screen prints on paper, Translation and production of Arabic booklet

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Seher Shah, Notes from a City Unknown, 2021, Portfolio of 32 screen prints on paper, Translation and production of Arabic booklet

Seher Shah, Notes from a City Unknown, 2021

Portfolio of 32 screen prints on paper, Translation and production of Arabic booklet

Courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti

Press Release

The title, After Rain, opens up a moment of revitalization and renewal, introducing the 2024 Diriyah Contemporary Art Biennale as a nurturing entity, filled with life, while acknowledging the necessity of water for all forms of life that dwell and seek shelter on our planet. Unfolding as a combination of practices such as inhabiting, cultivating, harvesting, searching, and sharing, this Biennale presents works that engage with the human-nature continuum, examine the built environment, observe the state of our surrounding landscapes, recount histories, and encourage us to listen more closely. Conceived as a vital entity rather than a static framework, the Biennale welcomes processes, dialogues, performances, and communal meals. The Biennale is a process shaped by first-time meetings and collaborations.

After Rain is a scent that comes from the ground. Moments before it rains—and lingering on well after—a pleasant, earthy odor permeates the air. The smell emanates from a combination of bacteria and plant oils that have accumulated in the rocks and ground during dry periods. During rain, moisture activates the bacteria to produce chemicals (geosemins) to which our noses are extremely sensitive. These, together with plant oils, are carried by the spray of splattering raindrops and the winds. Petrichor is the word scientists have coined for this familiar, luxuriant smell. The Biennale is a multi-sensory experience.

After Rain is an artistic exploration and also a conversation with scientists, architects, researchers, planners, philosophers, writers, and poets, engaging a transgenerational and multinational composition of “caretakers.” All of them shape the experience of this edition through its configuration, its dramaturgy, the knowledge each contribution brings, and the way these are communicated. Our aim with this endeavor is to create spaces of transformative encounters and exchange—spaces in which different types of knowledge foster conversations between diverse communities.

View More

Back To Top