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The Guardian

Theatre for the eyes ... Ana Mazzei’s Drama O’Rama: Other Scenes

Photograph: Matthew Arthur Williams


There is a lot of (arguably too much) video work. It’s good, but after months on screens, it thrills the body to encounter sculpture full of attention to texture and movement. Ana Mazzei’s restrained spindly structures in painted wood offer theatre for the eyes, framing and distorting the space like lenses, and revealing quiet detail as you move around them.

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