Mousse

Shadi Habib Allah’s artistic production traverses a spectrum of media, including sculpture, drawing, film, and installation. The materiality of the works is determined on a project-to-project basis, participating in a dialogue motivated by research, illustrated by material, and activated by viewers. The works are defined by physical engagement, and unified in their desire to suggest modes of navigation across disparate networks of people, places, objects, images, technologies, and economies. This comes with a view to examining, deconstructing, and understanding the structures of these networks, identifying signifiers of value and use within them.