“Title One, I dreamt, Clara and other stories” is the first museum survey of Rossella Biscotti (Molfetta, 1978), an Italian artist based in the Netherlands and Belgium. A key member of a generation of Italian artists dedicated to exploring the modern history of Italy by bringing to light its stratified layers, Biscotti has created an art of investigation and research which places questions of collective interest at the centre of her work. Though early on in her career Biscotti focused on the structural amnesia marking recent history, her latest works look at resources, raw material extraction, process and circulations and how nature politics, economy and gender intersect in complex narratives. Biscotti combines research with the powerful agency of sculptural forms and vibrant matter to create work with suggestive power and forensic precision.
Biscotti often collaborates with other disciplines, including archaeology, anthropology, geopolitics and environmental science. She uses a wide range of creative languages—including installation, sculpture, performance, sound and film—to make work that is grounded in a concept of history understood as an ecosystem of active relationships. Her works involve long periods of investigation and study aimed at uncovering the complex power structures that condition the unresolved dimensions of our present.