Untitled (Abstraction) takes the viewer on a journey through the landscape of the city. This part, which opens the Istanbul Biennial, acts likes an introduction: it is a dictionary of textures, an investigation of the aesthetics of labour, craft and language each gradually inflected with personal and political narratives.
In the work of Alessandro Balteo-Yazbeck and Media Farzin, art history collapses into the political history of the Middle East offering a critical rereading of both. This exhibition becomes a point of departure for the next two exhibitions on the upper floor: Untitled (Passport) and Untitled (Ross).