Over the past eight years, the Pakistani born, New York based artist Seher Shah has taken inspiration from her training in architecture, combining real and imagined buildings with autobiographically resonant motifs in her large, Escheresque drawings. Her photographic collages of the same period have followed a similar logic, blending found images of people and landscapes with digitally introduced grids, shapes, and structures. In her current exhibition in Mumbai, “30 | 60 | 90,” Shah develops these strategies while showcasing more recent preoccupations.