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Shadi Habib Allah

Biscuits and Green Sox Maaike, Shadi Habib Allah

Installation view at Reena Spaulings Fine Art, New York, 2016

For his second exhibition Biscuits and Green Sox Maaike at Reena Spaulings Fine Art, Shadi Habib Allah has installed live kudzu vines under electric grow lamps, a surround-sound audio recording, and furniture-like sculptures made with plywood, Dibond and paint. When the fast-growing kudzu plant was first imported here from Asia in the late nineteenth century, it was hailed as a miracle plant in the 1930s and then later became regarded as an invasive species. Known as “the vine that ate the South,” kudzu has spread and taken over much of the farmland once dedicated to the cotton trade. On southern highways, views are engulfed on both sides by kudzu leaves, giving drivers the impression of a never-changing landscape, an endlessly looping tracking shot. The myth is that kudzu grows at a rate of a mile a minute, or 60mph, which is also the supposed maximum speed of the 50cc scooter, which we hear in surround sound. Evoking the feeling of a road trip or road movie in the gallery, the soundtrack moves between the speakers making a kind of sonic drawing in space.

As with his video work Daga'a, 2015, which follows the movements of Bedouin smugglers in the Sinai desert, Habib Allah is interested in experiences of navigation and disorientation in relation to both physical and virtual interfaces. In the soundtrack, a snippet of recorded dialogue in Chinese says something like “I go down these winding roads,” and the vines meanwhile will continue to spread throughout the show’s duration, extending a green leafy surface. Rolls of touch-sensitive Fuji paper will attempt to generate a drawing as they receive physical impressions of the growing kudzu. The painted plywood sculptures also function as seats.

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