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Hale Tenger

Hale Tenger, Fragile Grip, 2020 

Mixed media and sound installation

Music and sound by Serdar Ateşer and Hakan Kurşun

Chrysocolla mineral stone (ø 5.5 cm), found foam globe ball (ø 6 cm), quadraphonic sound, metal base stand, dark room

 

Ranging from almost perfect transparency to complete opacity, crystals have been used in all areas of human activity, from science to magic, from technology to healing. Scientists typically describe crystals as “growing”, even though in their eyes they are not alive. Many living organisms, such as mollusks, are able to produce crystals. In ancestral cultures, crystals and minerals are regarded as sentient. Indeed, they constitute a perfect example of the fluid and porous boundaries between the animate and inanimate, organic and inorganic. Taking crystals and their vibrant matter as a point of departure, the exhibition Crystal Clear goes beyond their emblematic use. Rather it aims to develop a contained ecosystem with diverse entanglements of the production, display, and recycling of the artistic, curatorial, and institutional work, material and immaterial. 

In collaboration with all the participating artists, Crystal Clear devises methods and tools for sustainable curating, going beyond just thinking about ecology or sustainability, but rather inventing and enacting principles allowing the reduction of the carbon footprint of exhibition making: radical limits on the shipping of objects, local collaborative production of exhibited work, creative recycling strategies, and extremely reduced travel for all the participants.

Curated by Elena Sorokina, the exhibition features the artists Sammy Baloji, Minia Biabiany, Katinka Bock, Bianca Bondi, Gaelle Choisne, Sinem Dişli, Kıymet Daştan, Elmas Deniz, Gluklya (Natalia Pershina-Yakimanskaya), Deniz Gül, Ilana Halperin in collaboration with Knitstanbul, Gülsün Karamustafa, Yazan Khalili, Paul Maheke, Şener Özmen, İz Öztat, Hale Tenger, Güneş Terkol, Berkay Tuncay and Adrien Vescovi.

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