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Dust:                 Matter which has disintegrated.
                         Remains of fragmented elements.
                         An accumulation of sediment.

Woven Air:        Absence held in air.
                         An ethereal apparition.
                         A material weaving the visible and imagined.

There is an unknown quality that materials hold by weaving histories and cultures speaking to each other. I thought of this material resonance when I first read Agha Shahid Ali’s poem, The Dacca Gauzes. His words evoked memories of my maternal family and the cities they inhabited; a cartography between the real and imagined. I found myself tracing lines across the subcontinent; connecting Chittagong to Chennai and Kochi and, across the Arabian Sea, to the port of Karachi. Cities connected by the memories of those whom I hold dear.

Memories, submerged in history, grasp for their own measurements of understanding. Of something no longer ours to hold.

Of Dust and Woven Air are studies into absence and memory through drawing, printmaking and poetry. A poetry of loss and erasure revealed in line, form and materiality on paper. Working with dust and its accumulations, I draw on Bengal muslin (gauze), the ethereal cloth of Agha Shahid Ali’s poem.

Seher Shah, 2025

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