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Hera Büyüktasçiyan, On Threads and Frequencies, 2019 - 2020

Hera Büyüktasçiyan

On Threads and Frequencies, 2019 - 2020
Moorings, buoys, rope

Installation view at CAC Passerelle, Brest, France

Hera Büyüktasçiyan, On Threads and Frequencies, 2019 - 2020

Hera Büyüktasçiyan

On Threads and Frequencies, 2019 - 2020
Moorings, buoys, rope

Installation view at CAC Passerelle, Brest, France

Hera Büyüktasçiyan, On Threads and Frequencies, 2019 - 2020

Hera Büyüktasçiyan

On Threads and Frequencies, 2019 - 2020
Moorings, buoys, rope

Installation view at CAC Passerelle, Brest, France

Hera Büyüktasçiyan, On Threads and Frequencies, 2019 - 2020

Hera Büyüktasçiyan

On Threads and Frequencies, 2019 - 2020
Moorings, buoys, rope

Installation view at CAC Passerelle, Brest, France

Hera Büyüktasçiyan, On Threads and Frequencies, 2019 - 2020

Hera Büyüktasçiyan

On Threads and Frequencies, 2019 - 2020
Moorings, buoys, rope

Installation view at CAC Passerelle, Brest, France

Hera Büyüktasçiyan, On Threads and Frequencies, 2019 - 2020

Hera Büyüktasçiyan

On Threads and Frequencies, 2019 - 2020
Moorings, buoys, rope

Installation view at CAC Passerelle, Brest, France

Press Release

In his song Face à la mer [Facing the sea], the rapper Passi sings with Calogero about leaving the Congo to travel to France, where he grew up. The 2020 summer season at Passerelle Centre d’art contemporain, which would have coincided with the Brest International Maritime Festival (now postponed until 2021), is devoted to the coastline, and more specifically to one piece of infrastructure, the backbone of Brest: its port.

Ports provide the ultimate setting for exchange, linked in the romantic imagination to adventure and trade. Yet they often evoke much more besides, from new environmental issues to protest movements, and from migration to the memory of slavery.

While not intended to be exhaustive, the exhibition Face à la mer attempts to look at each of these themes through the work of 18 artists from a variety of generations and origins. This great joint exhibition extends over the two floors of the art centre, interlinking these many subjects and mixing together a great diversity of media including new works created especially for the exhibition.

The exhibition Face à la mer is not intended to be illustrative and invites the public, by observing our ports, to dream and to wander, as well as to wonder about the future of globalisation, its ecological footprint and the major social issues of the twenty-first century.

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