12 May – 31 October 2025
5 September – 20 November 2025
13 September – 30 November 2025
30 August – 14 December 2025
#Exhibitions Worldwide
The Acropolis Museum and NEON present the second part of the trilogy Michael Rakowitz & Ancient Cultures featuring Lamassu of Nineveh (2018).
#Exhibitions Worldwide
Through an interplay of film, sculpture, and collected objects, Rakowitz revisits historical events with acute sensitivity to nuance and contradiction.
#Exhibitions Worldwide
Afra Al Dhaheri's first institutional solo show, Restless Circle, brings together a selection of works that explore the structural effects of tension, repetition and time.
#Triennale
Afra Al Dhaheri presents an installation of her sculptural and material explorations that trace memory, fragility, and transformation.
#Triennale
Michael Rakowitz takes over the UMEMURA Shoten, a wholesale store still operating today specializing in tea ceramics, to present seven panel works from the series The invisible enemy should not exist (Northwest Palace of Kalhu) (2023).
#Biennale
Hera Büyüktaşcıyan's collaborative work with Islom Khudoyberdiev explores the material and symbolic role of mulberry trees in instrument making and her personal history, featuring fragmented heart forms and suspended, unfinished mulberry-wood instruments.
#Exhibitions Worldwide
Through intensely political works, the exhibition highlights the importance of cultural heritage, and explores themes of loss, restoration and restitution of antiquities, survival and forging new cultural identities
#Exhibitions
A fearless interdisciplinary artist (working across drawing, sculpture, installation, architecture, and video), Nazgol Ansarinia brings together a compelling set of practices converging toward a new stream of critical materialism (and minimalism) in contemporary art from the Global South.
#Exhibitions Worldwide
MILAAP presents Iranian artist Nazgol Ansarinia’s first solo exhibition in Denmark, Dissolving Substances.
#Publication
The Trial is an extensive publication chronicling the decade-plus-long evolution of one of Rossella Biscotti’s seminal works.
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#Press
The Iraqi-American artist’s work has been brought into dialogue with ancient artefacts in a first for the Athens-based museum.
#Press
One of Dubai's oldest, women-led art establishments, it first opened its doors as a close-knit salon d'art in a Jumeirah villa back in 1995 and it remains ahead of the game.